There are a few I/O differences between the Matrix and PolyBrute too. These modulation sources can be applied to almost any synth parameter using the matrix, and while the Morphee and ribbon controller don’t entirely negate the presence of traditional pitch and mod wheel – also included here – they’re excellent additions that are likely to have even seasoned synth players expressing themselves in new ways. While the 61-key velocity and aftertouch-equipped keyboard is essentially the same as its monophonic counterpart, the PolyBrute adds additional expressive tools to the mix, with a ribbon controller subtly indented above the keyboard and a new three-dimensional expression pad labelled ‘Morphee’. Unlike the MatrixBrute, the control panel is in a fixed position, so it can’t be angled-up Minimoog style. There are key differences to the hardware itself. The MatrixBrute’s distinctive dual filter setup is carried across here too, which pairs Steiner Parker and Ladder Filter designs that can be positioned in series or parallel. Like the MatrixBrute, the PolyBrute is a digitally-controlled analogue synth combining multiple VCOs and VCFs with a powerful modulation matrix, sequencer and arpeggiator. ![]() Although it wouldn’t really be accurate to describe this synth simply as a polyphonic MatrixBrute, it’s not entirely baseless. You may spot the similarities between the PolyBrute and MatrixBrute most obviously in the inclusion of a similar button matrix, but also in the general architecture.
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